Getting to Know NYC Illustration Artist Moonsub Shin

 

Courtesy of Moonsub Shin

New York City based Korean Illustration Artist Moonsun Shin will be collaborating with Classical Pianist Jeeyoon Kim on an exciting new project:  ‘Over. Above. Beyond.’  Jeeyoon’s National CD Release Concert’ will be held on December 9th at the Auditorium at The Scripps Research Institute in San Diego (La Jolla).

‘Over. Above. Beyond. Ticket Link’

Jeeyoon’s concert events combine dazzling technical mastery and profound musicianship with her personal commentary on stage. The ‘Over. Above. Beyond.’ concert will also feature a unique collaboration with Moonsub Shin’s newly commissioned art. Each of the twelve drawings by Mr. Shin depicts a movement of  Variations on an Original Theme, Op. 21, No. 1 by Johannes Brahms, nicknamed the ‘philosophical variations’.

Here is our SJF Communications Q & A Interview with Moonsub Shin and Susan J. Farese:

SJF: Please tell us a bit about your upbringing.

MS: I’d lived in Daegu, South Korea until 2007 when I came to the United States. I was a normal kid who loved drawing. When I was a high school student, I decided to go into the art-field. However, my parents didn’t allow me to enter the art major for college right away. They wanted me to study media and society first, so I choose Advertising and Publicity for my college major. After I got my Bachelor’s degree, I studied art to prepare for art school.

SJF: Where did you study visual art/ illustration?

MS: In 2009, I was admitted to the School of Visual Arts (SVA) BFA program for Illustration and Cartooning in NYC. I studied for 2 years, then prepared for the MFA program in the same school. In 2012, I started  the SVA MFA Illustration as Visual Essay program and received my Masters degree in 2014.

SJF: What compelled you to collaborate with Classical Pianist Jeeyoon  Kim?

Moonsub Shin’s Drawing of Classical Pianist Jeeyoon Kim, Carnegie Hall, December 14, 2017

MS: First, I love Classical Music. When I was a student, I drew musicians frequently because their playing motions and feeling are a great theme of my work. So collaborating with Music as an artist has been one of my desire projects.

SJF: How did you decide to pursue illustration (rather than other visual arts, such as painting, sculpture, photography etc.)

MS: Actually, I wanted to be a character concept designer in an Animation Company such as Pixar or Disney. When I sought the ways to be a character concept designer, I found that studying illustration was one of them. So I decided to study illustration. However, while I’d studied illustration, I fell into the enchantment of it. Illustration should contain characters, color, appearances, feeling and storytelling at the same time in an image piece. I really felt these features.

SJF: Tell us about last year when you watched and did several illustrations of Jeeyoon’s Carnegie Hall concert?

MS: Carnegie Hall where she performed was really fit with her performance. I was compelled to draw her performance. The Piano, Carnegie Hall, the microphone stand and Jeeyoon – everything delivered stories to me so I really enjoyed that drawing time.

SJF: What inspires your art?

MS: Everything. Mostly, memories are strongly working when I get the inspiration. If something may contain some sources related my memory, it would inspire me.

SJF:  You seem to be doing lots of cup drawings. How did you start with your cup drawing art? Can you explain more about the process?

Follow Moonsub Shin’s Blog with his coffee cup drawings and videos on Tumbler

MS: I used to draw cafe interior sketches in my journal but I now draw them on paper-cups instead. People loved it so I’ve been doing Paper Cup Drawings since then. Every cafe has their own paper cup, which means it contains each cafe’s identity. I think every cafe’s paper cup can be a distinguished canvas to draw the cafe. I try to contain each cafe’s specialty on the cup and it is still going on.

SJF: Do you get paid/compensated with the cup project?

MS: No, It is my personal project. I just visit some cafes with researching (but sometimes visit accidentally). Sometimes, when I give the cup drawing to a cafe, they present coffee or some goods. Recently, some company gave me a brewer machine. What a kind company…

SJF:  Do you give them the cup when finished or keep it for a collection?

MS: I draw two cups. One is for my collection and the other is for the cafe.

SJF: Will any of the cups illustrations be mass produced?

MS: No, but some cafes request my illustration and some items with my illustrations – like mugs, sleeves, packages or boxes…

SJF: What is your hope for this project? TV? Other recognition?

MS: Um… Actually, I just want to collect paper-cup drawings. There is no specific purpose. I love coffee and cafes and this project is a really good motivation to reach another world – coffee. Because of this project, now I know many coffee people and it opens my eyes to the other world where it is not about an illustration. So this project is not only a simple personal project anymore. It’s brought many opportunities to promote me as an illustrator and extend my work abilities.

Now I have one dream. Visiting many cafes in the world and make as many cup drawings as I can. This project will be ongoing and I want to visit the West Coast as well as other countries where coffee is popular, such as Italy, Australia, France the UK and Japan. Finally, I want to have the exhibition when I collect over the 300 cups. I wish it. I’ve visited over the 100 cafes in NYC, Portland, Seoul, Jeju, Busan, and other cities.

SJF: Do you have any role models, female or male?

MS: Jean Jacques Sempe’, French illustrator. He is my role model. His lines are dramatic and deliver all kinds of emotions and stories in a single piece of an image. He knows how to use the drawing line to present image scenes. He’s never wasted drawing lines.

SJF: What does the phrase ‘Over. Above. Beyond.’ mean to you?

MS: Something, that is not Music but still is in the Music.

SJF: What are 3 values you believe in?

MS: Love, Faith and Faithfulness

SJF: What do you do for fun, hobbies, interests outside of illustrating?

MS: I love Coffee. Visiting cafes and enjoying the coffee is part of my life. Also I love to make coffee at home

SJF: How did you collaborate with Jeeyoon in the project, ‘Over. Above. Beyond.’ with the Brahms’ variation Op. 21, No. 1?

MS: First, I just listened to the music over and over again. Sometimes, I really focused on the music and other times, I just turned on the music while I worked.

When some images were released from my brain, I  sketched them. When I repeated these process, I got some frames of the whole images.

A few days ago, I met Jeeyoon and she played the Brahms’ variation Op 21, No. 1 in front of me in the studio. While she played the variation, I made images more clearly.

When some parts were not clear to visualize, we discussed and found the theme and image that were good for it.

 

SJF: Have you ever worked with performing arts and drawing art together in the past? What is your general thought in terms of this kind of collaboration?

MS: For the fashion brand “Nan Seo”, we collaborated when they had a photo shoot for their F/W campaign. The theme was “Dancing with Father” and they hired a dancer. She was dancing on the beach and I drew her and a model.

Illustrating for the performance is not just drawing the scenes. It has to contain an invisible source such as sound, feeling and atmosphere. Also, I should make one scenery image that presents movements and time. So I have to listen to my emotions while I see and hear the performance and then find out the good images from my memories. It is the simply one process with complex steps.

SJF: Thank you so much Moonshin. It was great to get to know you and I look forward to your collaboration with Jeeyoon Kim at her national CD Release Concert, ‘Over. Above. Beyond.’  – December 9th at the Auditorium at The Scripps Research Institute.

TICKET LINK for Classical Pianist Jeyoon Kim’ – OVER. ABOVE. BEYOND.’ 12/9/2018 Concert

Follow Moonsub Shin Illustrator on FACEBOOK

Instagram: @Moonsub

 

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Q & A – Classical Pianist Jeeyoon Kim – Soaring ‘Over. Above. Beyond.’

 

Photo of Jeeyoon Kim by Dario Acosta

Classical Pianist Jeeyoon Kim will celebrate the national release of her newest album ‘Over. Above. Beyond.’ with a concert on Sunday, December 9, 2018 at 3:00 p.m. at the Auditorium at TSRI (The Scripps Research Institute).

Jeeyoon’s concert events combine dazzling technical mastery and profound musicianship with her personal commentary on stage. The ‘Over. Above. Beyond.’ project will also feature a unique collaboration with newly commissioned visual art by NY based illustrator, Moonsub Shin. Each of the twelve drawings by Mr. Shin depicts       a movement of Variations on an Original Theme, Op. 21, No. 1  by Johannes Brahms, nicknamed the ‘philosophical variations’.

Audiences will experience a new, more engaging way of listening to a classical concert with her commentary on stage. This one-hour concert without an intermission will conclude with an after-concert reception.

Getting to Know Jeeyoon Kim

Q & A Jeeyoon Kim and Susan J. Farese, SJF Communications

SJF: What has been your inspiration for your upcoming new CD/Album, ‘Over. Above. Beyond.’?

JK: I wanted to create a feeling of lightness and hope through my new album. I was imagining a bird flying over the horizon as an inspiration. Through music, we can fly together!

SJF: Please tell us about your experience recording in NYC?

JK: I came back to NYC to record the ‘Over. Above. Beyond.’ album at Oktaven Studio where I recorded my previous album, ‘10 More Minutes’. I love going there, as Ryan Streber is an excellent recording engineer and their Hamburg Steinway D is fun to play! Recording is a totally different beast in itself compared to live concerts as there is no audience – yet you have to create an invisible world listening to you in that quiet space alone with microphones only. You would think it is somewhat easier to record than performing live, but it is in a way more difficult as there is another possible retake of the same piece mentally. I have to keep that live performance momentum for a longer time like 3 or 4 hours straight. In the beginning of the my recording process, I find myself wanting to have a live audience, but then I have started to enjoy this process as a completely different art form as it is; enjoying the limitless possibility I could experiment making subtle changes each time I play.

SJF: Are you happy with your new album?

JK: Haha. Yes! One said that when musicians record an album, they often get frustrated because they wish for their 20 or 30 years advanced version of them at that moment. I totally understand why they say that, we musicians are crazy in that way.  But I learn to let go also. I think recording is just a slice of where I am now as a person and musician. Looking back this album in 30 years from now, I think I will be still okay with what is as I know I put everything I could during that moment. That is all I can do at any given moment.   

SJF: Describe your experience ‘before, during and after’ at Carnegie Hall…

Photo of Jeeyoon Kim by Fadi Kheir

JK: It was an amazing experience. What surprised me the most was how much I could immerse myself into the music. I was at Carnegie Hall with one of the most amazing instruments and superb acoustic hall in the world, but I was in somewhere between here and heaven. Nothing mattered, nothing could even stop me going there. Before I went on stage, I was thinking as if it could be the last day of my life. When you think that way, it really liberates you. Little things didn’t matter. All I had to do is to walk on the stage with smile, putting my hands on the piano with overwhelming gratitude of that moment and the people, and being merely a cup for the music that I play.

After the Carnegie Hall concert, I was still myself. Well, I didn’t die afterwards either. Haha. Same sun, same moon, everything was same, except for the fact that I was stronger. I gained a great dose of love from the audience, a wonderful energy from the experience. I felt like I went through a bootcamp mentally and musically, and I’ve gained unreturnable strength by having to go through it.

SJF: What should an audience member expect or experience during your ‘Over. Above. Beyond.’ Concert?

JK: Well…First of all, I hope all of you can make it to my ‘Over. Above. Beyond.’ concert at some point! It will be somewhat familiar if you have been to my ‘10 More Minutes’ concert in the past. I will still guide you for each piece that I will be playing on stage, and yes, there will be no program at first but given out only when you leave the hall. Also there is no intermission for my concerts. I really like to keep the momentum going without a break, so please make your restroom stops before my concerts! It will run about an hour and 15 minutes or so!

And this concert will feature illustrations by a NY based artist, Moonsub Shin for Brahms’ Variation, Op. 21, No. 1. He created newly commissioned illustrations by listening to this piece. It was such a fun collaboration! When I played a piece, he also imagined some visuals in his head. Afterwards when we communicated with his visual images and what I was feeling, it was on point of what I was imagining but even better! This would be a very interesting experience for me and for the audience. I can’t wait to share my new experiment with you! I love it, and I am sure you will too.

SJF: How do you prepare for your concerts? Routines? Diet? Exercise? How many hours rehearsing?

JK: How I prepare for my concerts are exactly the same as how I have normally lived, in a way, since I was four years old.  Haha. Playing piano everyday between 3 to 5 hours or so depending on the day, eating healthy, doing some variations of working out such as a workout with a trainer, swimming, yoga or simply going for a walk. I keep my morning practice routine as the first thing in the morning after a simple breakfast, and often do a mental practice when I first open my eyes in my bed. Sometimes going through the music, other times a self-affirmation in my mind. I don’t try to do anything so differently because of concerts as I feel that concerts are just an extension of my life.

SJF: What do you do for fun between concerts and appearances?

JK: I love traveling. I love the feeling of growth when you go to a new environment. I come back with a new perspective of life.

It may not sound so relaxing per se, but I do love studying other languages. That is really refreshing for me. It has been about a year since I started to study Spanish. I may not be the most fluent speaker yet, but I surely find it fun to exercise my brain while being able to communicate in a different language. Hablamos en español si puede por futuro!

SJF: Is it isolating being a solo performer?

Photo of Jeeyoon Kim by Fadi Kheir


JK: Is it? Absolutely not! We are all alone in our life journey. But we are never isolated as we are surrounded by all of our friends and family, and for me, with God. I believe the same thing on stage. I have music and you together, as I am walking with my own feet. It is full of love.

SJF: How should one listen to the new album?

JK: I wish for you to listen to it with closed-ear headphones if you can, with reading my description for each piece from my booklet. (You can find the digital version of it at www.OverAboveBeyondProject.com)

You might listen to all in one sitting or just one track at a time, but I hope you can listen to Brahms Op. 21, No. 1 from track number 4 through 15 in one sitting as it would make more sense to listen as a whole than breaking it down.

I also suggest that as you listen to any of my tracks, let your mind create a visual image in your head. And at a later time, if you find a suitable image in real time, take a photo with your phone, and share it with me through #OverAboveBeyondProject.

SJF: What are three values that you believe in?

JK: Three values I believe in are:

1. Live as if today is the last day of your life, focusing on now at any given moment

2. Always be thankful

3. Be compassionate

SJF: Many thanks Jeeyoon, and best wishes as you soar ‘Over. Above. Beyond.’!

Photo of Jeeyoon Kim by Dario Acosta

“As a pianist, one of the most rewarding moments is when I feel that I have lifted someone’s soul with my playing and when I feel that I am deeply connected with listeners in the very moment of sharing music. It has become clear to me that it is why I make music. Through ‘Over. Above. Beyond.’, my wish is to give an audience a sense of hope, lightness, and a new beginning. These are pieces that have given me a sense of joy, weightlessness, and peace. Join me for this special flight and receive what music has given to us. Together let’s fly Over. Above. Beyond.”!   –Jeeyoon

TICKET INFORMATION: Single General Admission tickets for the Classical Pianist Jeeyoon Kim’s ‘Over. Above. Beyond.’ Concert are $30 and are available at:

https://jyk.ticketleap.com/over-above-beyond/

LOCATION: Auditorium at The Scripps Research Institute; 10620 Jay Hopkins Drive, San Diego, CA 92121. There will be free parking.

Map and Directions:  http://auditorium.scripps.edu/directions.html

More about Jeeyoon Kim at www.jeeyoonkim.com.

More about ‘Over. Above. Beyond.’ at www.overabovebeyondproject.com

“Like” on Facebook – Jeeyoon Kim, Pianist; “Follow” on Twitter @Jeeyoon_Pianist and Instagram @jeeyoonkimpianist with the hashtag #overabovebeyondproject

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Meet Devon Hadsell – the ‘Kind’ Mean Girl on Broadway

By

Susan J. Farese

SJF Communications

 

Devon Hadsell as Caitlyn Caussin in ‘Mean Girls’ Photo Courtesy of Devon Hadsell

We are thrilled to share this interview with equity Broadway performer Devon Hadsell,  who plays Caitlyn Caussin in the ensemble of the Broadway mega hit – Mean Girls! Devon is also a principal role understudy (Gretchen, Mrs. Heron/Ms. Norbury/Mrs. George). She made her principal debut as Gretchen on July 24th.

I have known Devon since 2015 when she performed as Velma (and I was Director of PR/Marketing) in the regional professional production of West Side Story with San Diego Musical Theatre .

The Broadway production of Mean Girls was created by the team of Tina Fey (Book), Jeff Richmond (Music) and Nell Benjamin, (Lyrics), based on the 2004 Mean Girls film, starring Lindsay Lohan.

Female Ensemble – ‘Mean Girls’ – Courtesy Photo – Devon Hadsell

And now…enjoy our interview with Devon Hadsell

SJF: Thanks so much for this interview Devon! I know how busy you’ve been with the ‘Mean Girls‘ whirlwind of multiple nominations, awards, enduring the hectic schedule of eight performances a week, and then some!  Let’s begin with you telling us about where you’re from, etc.

DH: I was born in Santa Barbara and moved to Napa when I was 5. I’m the oldest of 3 and have a younger sister and brother.

SJF: When did you first get interested in performing?

DH: My mom said I was singing before I could talk and dancing before I could walk. She put me in my first musical when I was 5 years old. I played Gretel in The Sound of Music at our community kids theatre which was called Broadway Bound Kids!

SJF: Why did you choose performing as a career?

DH: Since I was a kid, I’ve loved being on stage. There’s nothing quite like performing in front of an audience. My mom put me in dancing, singing, and acting lessons starting when I was 5 years old and I never wanted to stop. Nowadays, I do it because I love inspiring people.

SJF: Anything to mention about your college program at Cal State Fullerton ? Positives, challenges?

DH: I’m so glad I went to college for performing and that I found Cal State Fullerton. I grew in ways I never would have been able to if it wasn’t for their Musical Theatre BFA program. Because of the showcase that the seniors got to do in New York, I found my amazing bi-coastal agent and got a taste of the city before actually moving here! The biggest challenge was managing classes, shows, rehearsals, AND homework all at once, but because I had to do all that at CSUF, I can manage any schedule thrown my way now!

SJF: What do you think your strengths are as a performer? What are you developing/strengthening?

DH: I think my biggest strengths as a performer are that I’m versatile, I’m great to work with, and I’m a fast learner. I’m constantly improving my technique and ability in all fields of performing as well as building up the proper stamina for getting through 8 shows a week for at least the next year!

SJF: Would you like to obtain Master’s degree in the future?

DH: I think a Master’s degree is something I would definitely be open to because I see myself teaching at the college level one day.

SF: Besides your Broadway debut in Mean Girls, Any National Tours? Highs and Lows of touring?

DH: Highs and Lows: I was in the national tour of The Little Mermaid a couple years ago and I absolutely LOVED it! It’s actually what got me my Equity card and gave me enough money to move to New York! What was hard was always packing and unpacking your suitcase after a week or two, but I really enjoyed visiting so many different cities around the U.S.

SJF: Explain the Mean Girls’ Story in a Nutshell…

DH: Cady Heron is a homeschooled student who moves from Africa with her parents (who are biologists) to a public high school in Chicago, Illinois. She befriends the “Plastics”, the three popular, “mean girls” of the school, and quickly finds herself becoming one of them. In the end, she realizes that it’s okay not to like someone, but that we should always be kind and treat people with dignity.

Devon Hadsell ‘Mean Girls’ Courtesy Photo – Devon Hadsell

SJF: Tell us about your interview process- when/where, how competitive it was, how many callbacks? Was Tina Fey present?

DH: I went to 5 callbacks for this role. At the first audition, there were over 400 girls who attended. For the callbacks, we did a dance combination and eventually had to sing. At the fifth and final callback, they had narrowed it down to 20 girls, and Tina Fey was present. We had to do the dance combo three at a time and then come in and sing and read sides for all the creatives by ourselves. It was the craziest and most amazing experience!

SJF: I can just imagine the stress and tension with the audition and then those multiple callbacks! Wow!

SJF: Tell us about your ‘Mean Girls’ role(s), Understudying? Etc.

DH: I play Caitlyn Caussin, a high school girl in the ensemble. I also get to understudy Gretchen AND all of the roles played by the Broadway star, Kerry Butler, which are Cady’s mom, Regina’s mom, and Ms. Norbury! I actually made my Broadway principal debut as Gretchen on July 24th of this year and it was AMAZING!!! It was so incredible to get to perform in a lead role on a Broadway stage and to know that the producers and members of the company believed in me too. My family also happened to be in town so they got to see me perform in the role as well! It was one of the best experiences of my life!

Devon Hadsell as Caitlyn Caussin in ‘Mean Girls’

SJF: That is so amazing! So thrilled that you made your Broadway principal role debut!

All photos courtesy of Devon Hadsell

SJF: Any advice for BA, BFA, etc. students and others?

DH: Broadway is hard and the work doesn’t stop once you get there. You have to realize that there will be pros and cons just like any other job. You also have to figure out ways to nurture your passion of performing because there are a lot of hard things you have to deal with in this business. Never give up, always push forward with your goals in mind, and never stop training.

SJF: How has it been adjusting to living in NY- roommate(s)? Safety, etc.

DH: Oh my goodness. I am NOT a fan of New York! Haha. Even with a Broadway contract, I miss California every day… It’s a VERY different way of living and it was a hard adjustment at first. When I first moved to NY, I was living deep in Brooklyn and it took me at least an hour to get into Manhattan for auditions, but it was cheap and I had my own room and a lovely roommate. Now that I’m on Broadway, I was able to move to a studio just outside the city along the water that’s only a 20 minute commute. When you move to New York, you have to get used to a different way of living. You have to deal with public transportation, insanely high prices for everything, people being stressed and in a rush most of the time, everything being dirty, and being cramped in small spaces for a lot of your day. This city is not very glamorous unless you have a lot of money haha.

SJF: Ah! But I love going to NY to see shows when I visit my family in NJ! Despite the humidity, crowds etc.!

SJF: Any pre-show rituals? Post show events?

DH: I always have a pre-show Starbucks next to me as I do my makeup. I also have a little space backstage where I always do my warm-ups. After the show, a lot of us go to a restaurant/bar across the street that just opened up called Haswell Green!

SJF: Do you have (or have you had) fears? Doubts?

DH: Yes! Even once you get to Broadway, you have fears and doubts. EVERYONE is talented so you have to continue to believe that you ALSO have something special to bring to the table with your talent.

SJF: Well said Devon! What Motivates you?

Devon Hadsell

DH: I am very motivated by the fact that my performance has the ability to inspire others. Whether it makes people think about their lives, inspires them to live out their own dream, motivates them to want to change the world, or encourages them to connect with people, I think it’s a gift to have that ability.

SJF: That’s so astute! Hopefully I’ll get to see you perform on Broadway. I’m definitely inspired by your recent success!

SJF: Do you have any spare time hobbies, interests?

DH: I do! I love walks along the water, finding a new coffee shop, seeing other Broadway shows, and playing with puppies and kittens!

SJF: Cool! The last part about the puppies and kittens really brought the ‘AW” out in me!

SJF: Any particular role models in your life?

DH: I have many teachers who have been role models throughout my entire life. They have inspired me with their passion for performing and their love of their art whether it was acting, dancing, or singing. I am fortunate enough to still be in contact with most of them through Facebook and still ask for their advice when I need some guidance.

SJF: What was it like the first time with an audience for ‘Mean Girls’?

DH: It was UNREAL! My adrenaline was so high and everyone in the show was so excited! Our energy was unmatched! It was maybe even a little too heightened haha. It was a blast though. This show is so fun to share with family and friends.

SJF: Spill the beans about Tina!

DH: She’s extremely sweet! And surprisingly, she’s very quiet and reserved unlike her TV personalities. She’s so smart and kind and has such a wonderful and loving dynamic with her family.

SJF: Tell us about your Website

DH: It’s all updated with current photos and my resume as well as a couple of videos of me singing and dancing!

SJF: Who are your Idols?

DH: Some of my idols are Michelle Obama, Rachel McAdams, Jennifer Lawrence, Jimmy Fallon, and definitely Tina Fey!

SJF: Top values in life?

DH: My top value in life is kindness. It always makes the world a better place when you can act out of love and kindness than out of fear, hate, or jealousy. It takes a strong person to be kind, but I’ve found it’s always worth the effort.

SJF: Dream Role (besides the one you have now)!

DH: I’d actually love to play the lead in Mean Girls, Cady Heron, one day. I’d also love to play Christine in Phantom of the Opera and Clara in Light in the Piazza.

SJF: If you had to do it all over again…

DH: I honestly wouldn’t do anything different except to make sure I made a little more effort to stay in contact with friends and family. It’s so easy to get caught up in career stuff and forget about the things that really matter.

SJF: What 3 things don’t we know about you?

DH: 1) I am a cancer survivor! When I was 3 1/2 I was diagnosed with Wilm’s Tumor which is a child’s form of kidney cancer. They removed the tumor along with my right kidney and now I am deemed cancer free! 2) I am extremely organized and tidy and I weirdly think cleaning is fun. 3) I’d love to get into TV/film one day!

SJF: I am glad I asked that question. I would have never known about your surviving cancer at such a young age. Thanks for sharing that. As for the tidyness…interesting tidbit! Regarding TV/film, I have no doubt that you will pursue and be offered those creative endeavors!

SJF: Any difficult decisions throughout your life?

DH: The most difficult decision I ever made was to move to New York. I had no idea what I was doing, but just that I felt like I needed to do it. Needless to say, I am VERY glad I made that leap.

SJF: Thank you so very much Devon, it was such a pleasure to be back in touch and am so excited to hear all about Mean Girls and what’s in store for you in your future!

Devon Hadsell’s Website

Social Media for Devon: Follow @devonhadsell on Instagram and on Facebook

More Fun: Videos about ‘Mean Girls’:

Video: Journey to Broadway

Video: First Look: Mean Girls on Broadway

Video: I’d Rather be Me

Episode 1: Too Grool for School: Backstage at MEAN GIRLS with Erika Henningsen

 

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Like this post?

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Contact SJF Communications for your PR/Marketing/Writing/

Social Media/Photography, or Coaching Needs!

Westwind Brass Announces Concert Series ‘Brass in the Park’ at the Veterans Museum at Balboa Park

 

The Westwind Brass, San Diego’s Premier Professional Brass Ensemble, and Ensemble-in-Residence at the San Diego State University (SDSU) School of Music and Dance, announces their exciting interactive Concert Series entitled: ‘Brass in the Park’ at the Veterans Museum at Balboa Park  2115 Park Blvd., San Diego, 92101.

The Westwind Brass Ensemble, includes Elizabeth Howard, John Wilds and Karl Soukup (trumpets), Barry Toombs (horn), Eric Starr (trombone) and Bryan Smith (tuba).

The Westwind Brass Ensemble Courtesy Photo: Left to right: Dr. Eric Starr, Bryan Smith, Elizabeth Howard, Barry Toombs, John Wilds & Karl Soukup

 

“After more than 32 years, Westwind Brass Ensemble remains committed to serving the diverse communities that make up this great city of San Diego.  We pledge to serve not only the San Diego that we know, but also the San Diego of the future.”

– Westwind Brass Executive Director: Barry Toombs (French Horn), US Navy Veteran

May 24 at 7pm“A Night at the Speakeasy” (complete with a password for entry!).  This show is one of our most popular.  Westwind Brass adds a drummer for this very special show that takes the audience on a tour through the history of Jazz, from vaudeville and traditional, or “Hot” jazz through to the fusion jazz of the 1970’s.  Venue permitting, we often perform this show in a “club” setting, complete with cash bar, but the show itself is fun (and informative!) for all ages.

June  14th  at 7pm“Amber Waves of Grain, a Celebration of Musical Americanais Westwind Brass’ tribute to the music that has illustrated America’s journey over the past 200+ years.  With lots of catchy tunes and interesting stories, this concert is a celebration of all of the things that make America truly great!

Sept 13 at 7 pm – “The Music of the Californias” is a program that reflects the long and storied history of the “Golden State”.  Works include pieces from the mission era, the gold rush, and the golden age of Hollywood, along with some fun and interesting history.

December 10 at 7 pm “Holiday Lights”

Tickets: https://westwind-brass.ticketleap.com/brass-at-sea-concert-series/

Full Series Subscription (General Admission): $90 + $5.50 fee)

Full Series Subscription (Veteran’s Museum Members): $70 + $4.50 fee)

General Admission: $25 (+ $2.25 fee)

Veteran’s Museum Members $20 (+ $2.00 fee)

Seniors & Military (w/valid I.D.): $10 (+ $1.50 fee)

Students (w/valid I.D.): $5 (+ $1.25 fee)

For more information contact:

Westwind Brass at 619-665-9125, or email info@westwindbrass.org.

Or Veteran’s Museum at Balboa Park at (619) 239-2300 or info@veteranmuseum.org

Media Inquiries: Susan J. Farese, SJF Communications 408-398-5940 sjfcommunications@gmail.com

 

The Westwind Brass exists to broaden and enrich the musical legacy of local, national and international audiences through performance and educational services featuring brass instruments and music. Westwind Brass musicians perform in various configurations of featuring the unique timbre of brass instruments and performing the brass repertoire at a high artistic level. Westwind Brass is a 501(c) (3) Public Benefit Corporation. For more information, visit Guidestar.org.

 

 

 

 

Westwind Brass – Summer Brass Workshop

 

Photo: Courtesy of Westwind Brass Left to right: Dr. Eric Starr, Bryan Smith, Elizabeth Howard, Barry Toombs, John Wilds, Karl Soukup

 

Westwind Brass Announces Summer Brass Workshop

At SDSU School of Music & Dance

June 25-29, 2018

Free Concert June 30th at 1:00 pm

The Westwind Brass, San Diego’s premier professional brass ensemble, and an Ensemble-in-Residence at the San Diego State University (SDSU) School of Music and Dance, announces their exciting interactive 2018 Summer Brass Workshop at SDSU, June 25- 29, 2018, from 1:00 p.m. – 4:30 p.m..  This fun-filled week culminates in a free afternoon concert with the participant ensembles, on Saturday, June 30 at 1:00 p.m. at the School of Music and Dance.

The musicians of  The Westwind Brass Ensemble are Elizabeth Howard, John Wilds and Karl Soukup (trumpets), Barry Toombs (horn), Eric Starr (trombone) and Bryan Smith (tuba).

“Each year, this week provides a cross-generational environment where we all have a chance to explore and develop skills in communication, collaboration, and creativity; and to engender a larger sense of community.”- Westwind Brass Executive Director: Barry Toombs (French Horn)

“The participants, young and old, receive an opportunity to work with some of the finest brass musicians in southern California.  It is fun, informative, and relative to the music in their daily lives.  What’s more, they have a chance to play in what will be, I believe, the greatest brass ensemble of their lives!”– Westwind Brass Director Educational and Outreach Programs: Bryan Smith

Photo Courtesy of Westwind Brass

Activities will include: Master Classes, Sectional Coaching, Ensemble Playing, Individual and Group Performances. Private lessons will be made available during the mornings for an additional fee.

In addition to the more traditional brass instrument training and ensemble experiences, this workshop will feature mini-seminars on such topics as sustainable practice routines; learning and performing solos; making use of technology in your music; and an interactive introduction to jazz and improvisation.

Westwind Brass Summer Workshop Schedule

Price Information for Summer Workshop:  Students/Military: $150; Adults: $175.

Register Online at www.westwindbrass.org or call 619-665-9125  (Credit Card or PayPal accepted).

Registration Form and more info

http://events.r20.constantcontact.com/register/event?oeidk=a07efa2w3ugfcc291b8&llr=c6bkk5mab

Photo: Courtesy of Westwind Brass

Location:

San Diego State University School of Music and Dance,

5500 Campanile Dr., San Diego, CA 92182

http://music.sdsu.edu/index.php/about/map

For More Information: Phone: 619-665-9125 or email: info@westwindbrass.org.

Or visit: Westwind Brass

For Media Inquiries: SJF Communications; 408-398-5940 sjfcommunications@gmail.com.

Like Westwind Brass on Facebook

Ken Herman, San Diego Story: Westwind Brass Delivers Smart Jazz Survey on the Berkeley

The Westwind Brass exists to broaden and enrich the musical legacy of local, national and international audiences through performance and educational services featuring brass instruments and music. Westwind Brass musicians perform in various configurations of featuring the unique timbre of brass instruments and performing the brass repertoire at a high artistic level. Westwind Brass is a 501(c) (3) Public Benefit Corporation. For more information, visit Guidestar.org.

Guest Post: Delaney Heil Interviews Susan J. Farese, SJF Communications

Note from Susan J. Farese, SJF Communications: Delaney Heil is my Mentee in the Aztec Mentor Program at San Diego State University (SDSU). An Honors Program Student, Delaney is studying Public Relations, Advertising and Applied Communication and is Minoring in Biology. This interview was part of Delaney’s PR assignment and as her Mentor I wanted to give Delaney an opportunity to be published, thus, her guest interview post! Many thanks, Delaney!

SDSU Aztec Mentor Susan J. Farese, and Mentee Delaney Heil

 

Delaney Heil (Courtesy Photo)

Greatness from Small Beginnings:

How Public Relations Can Arise Anywhere

An Interview with Susan J. Farese, SJF Communications

By Delaney Heil

SAN DIEGO – Most public relations practitioners begin their careers by studying the subject in school. But Susan Farese of SJF Communications had a very different introduction into PR.

Instead of Susan obtaining a degree in PR she began in Nursing and Musical Theater.

“I received my bachelors and then masters degrees in Nursing and was a military nurse for 12 years. Since 1990 (after leaving the military) I have been a consultant, with several geographical moves in between. Fast forward to circa 2005, 2006…when my  daughter was involved in professional and community productions I wrote a press release for the kids that were featured among the adults,” she said.

As the years went by, through her daughter’s participation in theater, Farese volunteered to write promotional announcements for the productions.

“In 2011, the director of ‘Joseph and the Amazing Technicolor Dreamcoat’ in San Diego was impressed with my promoting the production and recommended me to join the board for the San Diego Musical Theatre,” said Farese.

Farese created the position of Marketing/ PR on the board, which turned into a consulting and staff position. After 5 years, it  prompted her to begin freelance PR services with her business SJF Communications. She specializes in PR marketing and doubles as a social media coach, blogger  and mentor. 

Her specialty is in entertainment PR, linking back to her theater background.

“Somehow because I worked theater PR for five years, I cultivated so many contacts. I just feel comfortable in this industry.  Additionally, I have been providing PR for musicians as well.”

Becoming established in San Diego wasn’t easy for Farese. “I had to compile and/or edit a list of media contacts,  build a database, provide ongoing media relations, write and submit press releases, provide email marketing, online calendar submissions and social media posts, create a business website/blog and attend many productions and events as well as other duties. I joined organizations and networked.  “It’s a challenge, but I like it. Actually, I love it! I’m still establishing my brand.”

Farese assured that despite the challenges, there are many benefits to being a PR practitioner, such as exciting interpersonal challenges and events. “Connecting with people excites me. I enjoy getting the word out, mass communication, everything involved with it,” said Farese.

Farese believes that the most important thing for future practitioners to remember is “to be assertive and confident in themselves. And to have a positive attitude…No matter what!”


Many thanks Delaney!

 

SDSU School of Music and Dance Announces Factory Seconds Brass Trio Residency & Performance, May 1, 2018

 

Factory Seconds Brass Trio Photo Credit: Roger Mastroianni Left to right: Jesse McCormick (Horn), Richard Stout, (Trombone) & Jack Sutte (Trumpet),

The San Diego State University School of Music and Dance is thrilled to announce a visit and performance by the Factory Seconds Brass Trio on Tuesday, May 1, 2018 at the SDSU Smith Recital Hall. This free, one day residency features instrumental and chamber music masterclasses, culminating in a formal concert with select SDSU students.

Established in 2013, the Factory Seconds Brass Trio members include Jack Sutte (Trumpet), Jesse McCormick (Horn), and Richard Stout, (Trombone). Each member occupies the Second Chair position in their respective section with The Cleveland Orchestra, and all are faculty members at Baldwin Wallace Conservatory.

All events with the Factory Seconds Brass Trio on May 1st are free and open to the public, thanks to the Student Success Fee at San Diego State.

The schedule for the May 1st event  includes:

2pm – Trumpet, Horn and Trombone Masterclasses

4:30pm – Chamber Music Masterclass and Open Rehearsal

7pm – Concert in Smith Recital Hall

Dr. Eric Starr, Lecturer, Brass Chamber Music and Performing Arts Internship Coordinator, states “Factory Seconds members are truly world class musicians.  This is an incredible opportunity for our students to learn from, and perform with some of the foremost brass players in the world today”.

Quote from Richard Stout, Factory Seconds Brass Trio: “We are delighted to be reconnecting with old friends and making new ones; that this concert will include a chance to perform with SDSU students makes it a special event we are looking forward to.” -Richard Stout

Quote from SDSU Trumpet Student Lindsay Ross: “Many of our studio faculty members also perform in the San Diego Symphony, and other ensembles in southern California.  In addition to having these perspectives, it will be a great opportunity to have other perspectives from other professional symphony orchestra musicians and studio professors.” – Lindsay Ross

Directions and Parking

For more information, contact SDSU School of Music and Dance at 619-594-6031.

The mission of San Diego State University’s School of Music and Dance is to provide the highest quality education for performers, choreographers, educators, researchers, and those who may be in fields related to music and dance. In addition, the School of Music and Dance is committed to provide the general student, our future audience, with the deepest understanding and appreciation of music and dance. The School of Music and Dance serves a varied intellectual and ethnic student body in a culturally rich environment.

Through specialized faculty/student contact, the use of technology, an international programmatic focus, and our relationship with community, regional and national organizations, the School provides career development opportunities, enhances critical thinking abilities, and nurtures new generations of artists,choreographers, teachers, scholars and other professionals. Ultimately, the School of Music and Dance serves as a dedicated resource for excellence in performance, choreography, teaching, research, and creative activity.

 

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Classical Pianist Jeeyoon Kim’s Carnegie Hall Debut “10 More Minutes”, December 14, 2017

 

Classical pianist Jeeyoon Kim will have her Carnegie Hall debut presented by Captivate Artists on Thursday, December 14, 2017 at 7:30 p.m. at Weill Recital Hall. She will perform selected pieces from her latest album, “10  More Minutes” which Jeeyoon has often performed as encores, the result of audiences asking her to play for “ten more minutes” of her captivating artistry.

Jeeyoon Kim’s concert events combine dazzling technical mastery and profound musicianship with her personal commentary on stage. Audiences will experience a new, more engaging way of listening to a classical concert.  Gordon Brown from Classical Radio Station XLNC-FM proclaims “She is simply a force of nature, one who lives for that special connection with a live audience”.  Jeeyoon states, “I envision this album as if we are enjoying “tapas”, instead of a heavy five-course meal. This “musical light fare” includes familiar works by Schubert, Chopin, Schumann and Debussy”.

Jeeyoon received her Doctorate of Music and Masters of Music in Piano Performance from Jacobs School of Music at Indiana University. A recent winner of the Beverly Hills National Audition for classical musicians in 2017-18 season,  Jeeyoon will perform a series of concerts  across the country, and as a soloist playing Rhapsody in Blue at the Hilbert Theatre in Indianapolis. She is a frequent performer for Chamber Music San Francisco, PianoForte Salon Live Series, and the La Jolla Music Society Discovery Series, among others.

Jeeyoon Kim
Carnegie Hall Debut
“10 More Minutes”
December 14, 2017
Weill Recital Hall

Some testimonials about Jeeyoon Kim:

“In addition to her mastery of the instrument, Jeeyoon’s music-making transcends the piano, and has the ability to transport the listener directly into the world of the composer. So captivating and powerful…” -Demarre McGill, Acting Principal Flute of The Metropolitan Opera Orchestra 

“Absolutely phenomenal! She brought tears to my eyes with her playing. What a sensitive and gifted pianist…” – Susan Kitterman, former Artistic director of New World Youth Symphony

“Beautiful control of the Instrument, superior technique, and all of that emotion shows up in her sound as well as watching her. I am awed by her talent. It would be criminal for the world not to hear Jeeyoon perform.” – Gary Walters, performing artist and jazz pianist

“Impeccable, brilliant and heart-rending…”

-Chiesa Nuova (Performing Arts Foundation, Chicago)

Warm tone and a wide range of colors in her expressions. No matter what she plays, the clarity of texture was never compromised … -Ryan Streber, Producer, Oktavan Audio, NYC

TICKET INFORMATION: Single General Admission tickets for the Classical Pianist Jeeyoon Kim’s “10 More Minutes” Carnegie Hall Debut Concert (Weill Recital Hall) are $35 and are available at:

1) in person at the Carnegie Hall Box Office (57th Street and Seventh Avenue, NY, NY, 10019) Monday through Saturday, from 11 AM–6 PM and Sunday, 12 PM–6 PM);

2)  by calling CarnegieCharge at 212-247-7800 or

3) https://www.carnegiehall.org/Calendar/2017/12/14/0730/PM/Jeeyoon-Kim-Piano/

More info at www.CarnegieHall.org 

LOCATION: Weill Recital Hall at Carnegie Hall 152 West 57th Street, New York, NY 10019  https://www.carnegiehall.org/Information/Directions/

More about “10 More Minutes” at www.10moreminutesconcert.com “Like” on Facebook – Jeeyoon Kim, Pianist; “Follow” on Twitter @Jeeyoon_Pianist and Instagram @jeeyoonkimpianist with the hashtag #10moreminutescd.

 

 

Driven to the Max: Photo Shoot and Q & A with Max Cadillac

Meet Max Cadillac. I have known Max professionally for the past five years in San Diego. Our paths have crossed with me providing public relations & marketing, and with him either performing in professional theatre productions, choreographing and/or costuming…and most recently modeling as my photography subject for an action-packed, fun editorial shoot, as Max embarks on his new journey – the sky’s the limit – and seize NYC – a.k.a. The Big Apple!

This past September, our photo shoot (for his new modeling “look book”) with Max took place during the day at a cool park as well as a suburban cul-de-sac and street in the Rancho Penasquitos area of San Diego. Max posed. I snapped away.

Take a gander at Max’s photographic versatility (and read our interview Q &A which follows)!

Max Cadillac. Photo by Susan J. Farese, SJF Communications, 2017.

 

Max Cadillac. Photo by Susan J. Farese, SJF Communications, 2017.

 

Max Cadillac. Photo by Susan J. Farese, SJF Communications, 2017.

 

Max Cadillac. Photo by Susan J. Farese, SJF Communications, 2017.

 

Max Cadillac. Photo by Susan J. Farese, SJF Communications, 2017.

Q & A with Max Cadillac

SJF: Max, please give us the run down…tell us where you have performed professionally

MC: I have a true love for musical theatre and have been working hard throughout my field of choice – performing, choreographing, and costuming in San Diego. I’ve performed with Cygnet Theatre (Pageant, Gypsy), Moonlight Stage Productions (The Wizard of Oz, Music Man, Big Fish), San Diego Musical Theatre (White Christmas, Sound of Music, Cats, West Side Story), and most recently in The Tragedy of Carmen with the San Diego Opera.

SJF: Besides being a dancer, you’re also a choreographer. Where have you been the creator of all things dance?

MC: My choreography credits include: Canyon Crest Academy (Zombie Prom, Evita, Sweet Charity), La Jolla High School (Anything Goes), San Diego Junior Theater (Shrek the Musical), as well as other high school, college, and studio performances.

SJF: And your newest venture into costuming?

MC: Over the last year, I have expanded into costuming under the wing of costume designer Janet Pitcher.

SJF: Why NY? Does it have a special meaning for you?

MC: Though I am proud to be a native San Diegian, I’ve always felt like my home town was ‘Broadway to Bloomingdales’ in The Big Apple. My parents and family are from the tri-state area and having growing up bi-coastal going to summer camp in the Poconos, I have always loved New York the most. Not only that, but there are so many more opportunities for theater in New York than Southern California. The fantasy of moving to the city and booking the first audition sounds splendid, but the reality of planning his move to New York has been a long awaited plan since high school.

SJF: Tell us about your performing and where you have studied

MC: The drive to perform has always been there. I have attended performing arts schools since middle school. I first attended Children’s Creative and Performing Arts Academy before transferring to Coronado School of the Arts for high school. It was there I learned his passion could become a career, and I pursued a degree in Theater. I attended a California State University to pursue my degree, but he realized within the first month this was not the right program for me. So within that first semester, I applied, auditioned, and was accepted into AMDA  in Los Angeles for musical theatre. It was a program that mainly focused on acting, singing, dancing, and allowing their students to explore many aspects of the performance world on and off stage.

SJF: What was one of your favorite roles?

MC: Everyday is another chance to create and perform, but I really enjoyed my most recent performance as Lillas Pastia in the San Diego Opera’s The Tragedy of Carmen. The creative team wanted to make a whole new vision for the classic opera, so with only six cast members, sets and costumes spanning many different decades, and direction like no one has seen before, It was a true collaboration of artists working together to feature the best of their talents. And although my character did not have any songs or dialogue, I threw myself into the physicality of the character. To quote the lead of Carmen herself, she wrote me a lighthearted opening night letter saying “Thank you for stealing my show. Now own it” and that is exactly what I did. The recreation of a classic role is something I am extremely invested in, always trying to adapt and tell a relatable story for the audience, and one day I hope to originate a role in a musical, play, opera, or film. Any medium that gives actors the freedom to shape and mold a character like that sounds like a dream role to me, and I would even love to write my own musicals and movies in order to ensure true artistic freedom.

SJF: Dream roles?

MC:  I have many! Aldolpho from The Drowsy Chaperone, Molina in Kiss of The Spiderwoman, Dr. Frank-N-Furter from Rocky Horror Picture Show, and an all time favorite from the first musical I ever saw on Broadway one day playing Lumiere in Beauty and the Beast.

SJF It’s been a pleasure Max. Anything else you’d like to share?

MC: On a personal note, I’d would like to thank you, Susan for all of your support, love, and laughter working together over the past 5 years and would like to leave your readers with this thought; If you love something, Do Not let it go! Hold onto whatever drives your passion, and love what you do. Theater, like the world can seem very small at times, but never limit yourself within your chosen field and always remember it is much more fulfilling to focus on the journey than the finish line.

SJF: Best wishes on your journey to the BIG APPLE!

 

Special thanks to Emmy Farese for photoshoot assistance!

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